Friday Saturday Sunday caviar snack
Friday Saturday Sunday’s tasting menu includes luxuries like Osetra caviar, but for chef Chad Williams, “luxury is in the flavor” of even everyday ingredients.

Stephen Satterfield's Corner TablePhiladelphia

How Does Friday Saturday Sunday Succeed? By Being Ever Bolder

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The American Express® Gold Card and Resy have teamed up with Stephen Satterfield, award-winning host of “High on the Hog,” to bring you Corner Table: a series of exclusive interviews with top chefs and restaurateurs from across the U.S. Discover the personal stories and inspirations of these culinary masters and see how their food is reinventing American dining culture.

Stephen Satterfield is an award-winning journalist, author, founder of Whetstone Media and Hone Talent Agency, and host of “High on the Hog” on Netflix. His book “Black Terroir” is due out in fall 2024.

Grilled quail with pâté and coco bread. Squash with chestnut custard, truffle, and calamansi. Blood-orange cake with honeycomb candy and brown sugar ice cream. The menu at Philadelphia’s Friday Saturday Sunday menu reflects the deft instincts of a chef who knows where he’s from, and where he’d like to transport his guests.  

Chef Chad Williams says that taking home the James Beard Award last year — for outstanding restaurant — has created more trust and goodwill capital from his diners in Philadelphia to take bigger creative risks. His tasting menu now features dishes that might have previously appeared only on the specials board, or were sent to VIP tables. Guests trust that they’re in for something delicious, and Williams has a bit less pressure when facing the bottom line.  

Williams and his wife and partner, Hanna Williams, purchased and renovated the two-story venue off Rittenhouse Square. The original restaurant was a decades-old and beloved neighborhood spot. Although the Williamses weren’t considering opening their own restaurant at the time, Hanna saw the listing, checked it out, and convinced Chad that the time was right. It was a bold move, taking over the historic and beloved venue and then gutting the building, with its lineage originating in the 1890s. And it took a year and a half of construction. As opening day neared, the couple decided to get married in the kitchen to put some good vibes on the space.  

Friday Saturday Sunday owners Chad and Hanna Williams
Friday Saturday Sunday owners Chad and Hanna Williams

They had also worked in the Philly restaurant scene for years, having met while working at an Old City restaurant. Hanna’s passion for the industry traces back to her parents, who both worked in the restaurant industry. And Chad got his start working in a kitchen during a semester at Howard University, eventually making his way back to Philadelphia.  

Their vision for Friday Saturday Sunday: Draw from travel and dining experiences in some of Europe’s most iconic restaurants and then infuse their own singular tastes. And the Williamses managed to honor the past and its nostalgic comforts, in terms of both vibe and cuisine aesthetics, while stepping with surety into a more modern dynamic.  

Chad Williams took time out to chat recently, reflecting on the nature of luxury, comfort, and curiosity in developing a menu, and getting real about why the Assassin’s Handbook just might be their best cocktail. 


You’re a husband-and-wife team, both from Philadelphia, and I know you got married in the Friday Saturday Sunday kitchen! How does your partnership help make this place so special?

Chad Williams: At the end of the day, if an unbiased observer would look, they would say, you know, this really is a beautiful collaboration where our ideas matter. When you first open, I feel like there’s not much of an identity to a restaurant. You’re kind of mimicking what you’ve seen before, and really just trying to make the business work. As the business grows, you start to take some more risks and I think your personalities naturally come to the forefront. 

Your restaurant’s location in Philadelphia’s beloved Rittenhouse Square feels important to its energy and general vibe. What impact does that have?   

We’re not necessarily central in Rittenhouse, we’re maybe one or two blocks off the main square, and the street we’re on is relatively quiet. Then all of a sudden, you open the door and you’re in this really cool kind of vintage bar, and then you’re having this great meal upstairs and it feels special, it does give you that jewel box experience.   

My favorite kind of European fine dining places, they always involved, like, a little trek. It was never easy to get where you were going, you know? Like Michel Bras [in the remote French town of Laguiole, 2.5 hours from Toulouse] or Mugaritz [about 25 minutes outside San Sebastián], they were 45 minutes, or hours, out of town. So by the time you arrived, you felt some sort of specialness just because of the journey to get there.

A spread at Friday Saturday Sunday
Friday Saturday Sunday booth

Let’s get to some food. Your tasting menu emphasizes seasonality and luxury: Osetra caviar with Manzano pepper and sabayon; dry-aged duck with XO rice; and much more. How do you approach menu development?

When we talk about inspiration, we try to find it anywhere and everywhere. So when we go out and dine, or somebody has a great casual meal, or finds a side-of-the-road barbecue stand, you want to be inspired. And then you bring that back.   

And luxury for us, luxury is in the flavor. Osetra caviar is almost not central to the dish in a way. Visually, it’s not a mound of it on top — it’s almost hidden. But so much of what we do is in the time that we spend on the dishes and the flavors. For us, the stock is very important. It’s very intentional. When we’re making sauces, that, to us, is kind of a luxury, because you’re spending so much time.   

 

This seems like a good time to ask about wine pairings, your cocktail list, and why people love the Friday Saturday Sunday bar. 

I think the bar is incredible. It’s really a cocktail lovers’ bar. The bartenders, especially Paul MacDonald, who runs the program, his focus is on the liquor itself,  and what it brings to the table. The Assassin’s Handbook — a mixture of Jamaican rum, Averna, Cognac, amaro, and housemade mulled wine shrub, with a splash of habañero tincture to finish — is probably the drink that he’s most famous for, and my favorite. It’s one of those drinks that hits so many different preferences. Somebody comes in and they want a liquor-based drink, you know, liquor-forward? Perfect. If somebody wants a spicy drink that has more of a tropical feel? Perfect. If somebody wants something that’s really classic-tasting and Cognac-forward, perfect.


Digestif: A Few of Chad Williams’ Favorite Things

Friday Saturday Sunday’s chef shares some of his inspirations.

NEXT FAVE INGREDIENT (AND ONE THAT’S DUE FOR A BREAK)

Offal is due for a comeback. With access to higher quality meat comes better offal, and when an animal is treated well, those off-cuts tend to really shine. Koji has been overused and mistreated for a while now, hopefully it can return home to more skilled kitchens and craftspeople.

GO-TO COMFORT FOOD

Mac and cheese. The good stuff, cheesy and gooey with a good crust — no breadcrumbs.

ONE THING TO UPGRADE A HOME KITCHEN

Buy a konro grill for outdoor cooking. They’re so easy to use (and cleanup is a breeze). Everything tastes better cooked with wood and charcoal.

MUSIC TO COOK TO

D’Angelo’s album “Voodoo.”

TOP ON-SCREEN COOKING SCENES

The opening scene in “Eat Drink Man Woman” is the most vivid cooking scene ever captured on film. The meal Dodin cooks for Eugénie after she falls ill [in “The Taste of Things”] is a beautiful depiction of love. The cooking scenes in “Hannibal” (the TV series) were equally creepy and inspiring.

MOST MEMORABLE MEAL WHILE TRAVELING

We traveled to Los Angeles to eat at a bunch of fine-dining restaurants before we opened FSS, but the one place that blew my mind was Villa Moreliana. The taco I had there changed the way I thought about food and being a chef.

FAVORITE COOKBOOK

“La cuisine c’est beaucoup plus que des recettes,” by Alain Chapel.

You have a great photo of the Friday Saturday Sunday team on your site. Talk a bit about your crew and your service philosophy. 

The service, we really try to make it as unstuffy as possible. I know it’s a cliché, but I think the service aspect is really just making the guests feel at home and welcome and taken care of. We don’t have the space — or the intention — to do that fine-dining, synchronized service, because I think in the wrong hands, it can be really cold, it can feel off-putting. Some people just want to feel at home and taken care of in a special way. So we try to do that, whatever little touches you can do.  

Like if somebody may mention a dish they had or something they loved. Or a cocktail that you used to drink. You don’t have to ask if they want it. You just bring it to the table. This is on us. Please enjoy. Because that’s what your mother would do at home if she knew you loved a dish: It would just show up one day. Or if she knew there was ice cream in the freezer you loved, at the end of dinner, it was on the table.

A Visit to Friday Saturday Sunday

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Friday Saturday Sunday outside

Friday Saturday Sunday’s exterior on 21st Street in Philadelphia. The restaurant was already one of the cities oldest and most established when the Williamses bought it.

Friday Saturday Sunday pasta dish

A pasta dish features Benton’s country ham with collard greens and potlikker.

Preparing beef tartare at Friday Saturday Sunday

Preparing beef tartare with bone marrow, one of the dishes on the tasting menu.

Friday Saturday Sunday dry-aged duck

Dry-aged duck with XO rice and shallots.

Chef Chad Williams prepping

Chad Williams prepares his sweetbreads dish.

Friday Saturday Sunday cocktails

The bar is one of the highlights at FSS. From left to right: an eggplant spritz; the Terms & Conditions, and the Mayfly.

Friday Saturday Sunday's Terms & Conditions cocktail

Terms & Conditions includes Hendrick’s gin, Mattei Cap Corse blanc, fino sherry, dry curaçao, and the amaro Sfumato Rabarbaro.

Friday Saturday Sunday sweetbreads dish

The sweetbreads, with mushroom, plaintain, and white wine.

Friday Saturday Sunday grilled quail

Grilled quail with peach, served with coco bread. Williams’ flavors are often tributes to his upbringing in Philadelphia.

Friday Saturday Sunday dessert

Rhubarb and green strawberry with coconut, miso, and a sablé cookie.

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Help us better understand the vibrant culinary ecosystem of Philadelphia. What’s it like these days? 

I’ve lived here all my life, born and raised here, and I’ve seen it grow, kind of ebb and flow over the years. I think just the sheer volume of great restaurants is what’s pushing us to the forefront. There’s 10, 15 really special restaurants in the city. And for a city of this size, that means a lot. So when folks come down from New York or come up from D.C., there’s these options that you can now push people toward. And be proud of.  

If every dining experience is a journey, what is the journey like for guests when they come in? 

We start with the entry to the restaurant, and hopefully a cocktail at the bar. And then you have a selection of smaller dishes, a little bit spicier, more kind of an enlivening experience. And then you move into the more savory aspects of the meal, which is what I love most.

I could have a bunch of umami-forward dishes and I’ll be happy, so we kind of move into that realm of the sweetbread dishes. [Crispy sweetbreads glazed with chicken jus, served with white wine, plantains, and mushrooms.] We do the pasta with the collard green broth, grilled quail, these really smoky, savory elements. And then we always finish the meal with the desserts by our super talented pastry chef, Amanda, and her canelé. The canelé is just like one of the world’s perfect dishes. It’s the time that it takes and the equipment you need to make them. And it just kind of goes back to luxury. It’s dairy and flour, but at the end, it is this special kind of moment. 

Produced By

Project Credits

  • Writing Stephen Satterfield
  • Editing Emily Vizzo
  • Photography Ted Nghiem
  • Creative Director Celine Glasier
  • Brand Liaison Marisa Dobson
  • Writing Stephen Satterfield
  • Editing Emily Vizzo
  • Photography Ted Nghiem
  • Creative Director Celine Glasier
  • Brand Liaison Marisa Dobson